What is most true of ecstasy, of that divine intervention that captures the imagination of a writer and paralyzes him to its force, is that it comes pregnant with superstition. Not by the weight of his work, but the virtue of his intentions, the process by which he assumed his poetics. A poet in the likes of Rilke, Lorca, Neruda. But little by little, he sculpted out of his own being a habitual obsession with connection, connecting to frequencies he believed to encompass, or at least, in the material unity with metaphysical God, the divine. When he was sullen, removed form the weight of conviction, or action, still, his contemporaries thought he was only tired, fragile, a sensitive soul. But to everyone but himself, he seemed normal, only that he acted strange at times, which, by virtue of his being a writer, seemed quite normal. It is well known and documented that our author believed himself to be possessed. Augustine of Hippo to Arthur Rimbaud, poets and scholars, theologians and politicians alike, have sought empowerment, immortality, and mystical incarnation with –a likeliness of- God. Since antiquity, it has been the pleasure of artists to seek spiritual fulfillment through mystical incarnation. The artist’s inner possession meetings with Lorca’s duende I started listening to myself again, my urges I sing the song of duende in the coming spirit of duende So I told him, when I come over, meeting me in the bathroom
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The restless carve loathing to your tombs You have sold for luxury the land of your gods Readings of the Dionysian myth in BARA 233
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The BARA Manifesto as it appears in full 211įrom Eldorado …ramifications of rejoice … 220
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Notes on the Evolution of Dani Arbid’s BARA– working status evolving intentions progressive DNA theories on identity process of compiling a Collected Works evolution of narrative perspective, characters, spaces over time 198 Selected readings from BARA the Sacrifice, Eldorado, the Fountain, the Sahel, the Walk 157 The story of Faroukh and the Cemetery 137 Ritual, Ceremonial Rites Festival and other stories 108ĭream transmigration dream language- a study of dream communication and consciousness transmigration prevalent in the text of BARA 112įrom Variable Seasons in the Port of Ports 121 Horror and the Obscene the role of obscenity in the ecosystem of BARA 107 The BARA manifesto: social outrage in the political theatre loss of self control 105 Letters to her writings to an impassive muse 101 Stasis to Ekstasis portraying the struggle for illumination 56Įnds and Beginnings tiring virtues in a cyclical world 94
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Interiority, Subjectivity reading Erich Heller’s The Artist’s Journey into the Interior Arthur Rimbaud’s legacy in the genealogy of BARA 35 The buoyed Body Literature on the tones poems that speak of the heart wisdom of the inanimate: 14 light poems 20 The artist’s inner possession meetings with Lorca’s duende 12